The use of screens to create the scenery meant the lighting had to be very flexible. There was a FOH two colour wash and a CS/US three colour wash. Some FOH PAR64s to give colour depth. The remaining wash was achieved using 6 VL5s and spotting/specials used 5 VL6Cs. Four Martin CX-4s were used for DS wash and accent. In addition to this there were a set of floods for auditorium wash and lightning; a small number of specific gobos:

Recording (in Strand SL10  for Studio scene)

Greek Flag (in S4 15/30)

Swiss Cross (in S4 15/30)

Mountains (in S4 Jnr Zoom)

Birdies were used for footlights and HELL ripples were used for waterfront reflection. Some pinspots were used to accent the night club. A pair of birdie bars were used for the Ballroom towards the end.

The Bus had its own four-way dimmer on board to power pinspots for headlights, birdies in the drivers cab and S4 PARS for internal general wash.

Three backlight colours were used, but could have used more coverage.

Lee lighting gels were used throughout and their colour numbers are shown in the rectangles on the design. Lighting circuit numbers are shown in ovals.

Summer Holiday - Lighting